Kelly Cressio-Moeller: Journal Submissions

Kelly Cressio-Moeller will be presenting Journal Submissions at the San José Poetry Festival 2016: Breaking Borders, on Sunday, September 18, 2016, at History San José, from 10:00 a.m. – 10:50 a.m.

Kelly will present how to start submitting to poetry journals for publication. Time permitting, the presentation will explore basic do’s and don’ts when submitting to a poetry journal: cover letters, bios, guideline terminology, journal selection, and submission organization. Also hoping to have time for a Q & A.

Kelly CM

Who best to present this Journal Submissions, but Kelly Cressio-Moeller, whose poetry can be seen at Boxcar Poetry Review, burntdistrict, Crab Orchard Review, Gargoyle, Poet Lore, Rattle, Southern Humanities Review, THRUSH Poetry Journal, Tinderbox Poetry Journal, Valparaiso Poetry Review, and ZYZZYVA among others. She has graced the Willow Glen Poetry Project anthologies with her poems, including the anthology, First Water: Best of Pirene’s Fountain.

Kelly’s poems have been nominated for the Pushcart Prize, Best New Poets, and Best of the Net. She is an Associate Editor at Glass Lyre Press. She shares her fully-caffeinated life with her tall husband, two ever-growing sons, and their immortal basset hound in Northern California. Visit her website at http://www.kellycressiomoeller.com.

WHITE STONES
for my father

Quiet as night
Twisting in the breeze of stars,
You place feathers for me to find:
In the garden, my book bag, a desk drawer.
These soft blades of mourning
Carve a space in the air for us to meet.
Sweet silence. Sweet stillness.
Tonight, on this cliffside path,
My flashlit footsteps make
The small stones speak.

I cannot see it but the ocean is here
Like the heaviness your absence leaves,
An anchor sinking, unraveling its chain.
There is beauty in this—a merciful peace
That disrobes the shadows around me,
Steadies my gait.

As I wander among the cypress in the dark,
You are stones painted white, marking my way
Home to a place I’ve never lived,
Under constellations fixed in skies
I’ve yet to know.

(First published in Valparaiso Poetry Review,
Volume XV, Number 1, Fall/Winter 2013-2014)

Nils Peterson: How to Read a Poem Out Loud

It is one thing to enjoy reading poetry by well known poets and write your own poems. But it’s a whole different experience reciting and reading poetry out loud to an audience. Come September 18, 2016, on a Sunday morning at History San José, Nils Peterson will show you How to Read a Poem Out Loud at our San José Poetry Festival 2016: Breaking Borders. His presentation will be held at the Firehouse, from
9:00 a.m. – 9:50 a.m.

Nils Peterson, Professor Emeritus from San José State University, was the first Poet Laureate of Santa Clara County,  from 2009-2011.  He is also one of the original founders of Poetry Center San José.  He has melded his poetry with works of art and music, and offered many workshops throughout his career as a poet. He has published poetry, science fiction, and articles as varying as golf and Shakespeare. He was nominated for a 2005 Pushcart Prize. His books include Here is no Ordinary Rejoicing, The Comedy of Desires, Driving a Herd of Moose to Durango; For This Day, Revenge of Socks, and A Walk to the Center of Things.    

Nils

As the first Poet Laureate of Santa Clara County, Peterson’s first project was putting out a call to all the county residents to send him a 17-syllable line about the county. Out of a  outpour of lines from the county, Peterson selected his most favorite lines and created a 100-line poem, calling it A Family Album, Santa Clara County, 2009. Thereafter, his next project for the community was Writing Thirty Poems For Thirty days, and select three prize winners. And another original project for the community was to create Haiku-ish poems.  Peterson has also been a participant and contributor to the multi-laureate collaborations Local Habitations and Good Talk.

A POEM FOR FREDERICK

Driving back from a night at the shore
between hills green with new rye grass. Home,
I see in my neighbor’s yard the year’s first
iris bud. The purple of that almost-here
flower, makes me remember that Frederick
wanted a winter poem by tonight for The Crow.

Well, here it is, a day late, finished up
in a coffee shop, Super Bowl Sunday,
temperature in the fifties, air moist,
low gray clouds moving in a slow scud.
There’s skiing three hours drive away.
I won’t go, yet I have “a mind of winter.”

Well again. It isn’t finished. I type
a week later. Now jonquils and daffodils,
and when I walk my dog, I see heron—like
white clouds—nesting in a still barren tree.
Yet my winter mind dozes in its burrow
refusing to come out of long sleep.

Three or four years later, still not finished,
and you now sleep the longest sleep. Frederick,
this year I missed the gravity of your smile in the dining hall
where we once leaned on coffee and waited for sunrise.
So fierce you were against injustice, at such a cost.
You would not dance, but there was such a longing in you.